by Julian Spivey Oh farts. On Thursday, May 10 Fox canceled three of my favorite comedies on network television: “Brooklyn Nine Nine,” “The Last Man on Earth” and “The Mick” and even though I knew it was a possibility that all the series could be coming to an end due to poor Nielsen ratings it was something of a shock that all three were canceled in one fell swoop. What really hurts the most is “Brooklyn Nine Nine,” which wraps its fifth season on Sunday, May 20, and ‘Last Man on Earth,’ which ended last Sunday on a cliffhanger, which I’ve watched for five and four seasons respectively and are far and away two of the funniest and, especially in the case of ‘Last Man on Earth,’ most creative comedies on television. I hope that “Brooklyn Nine Nine” saw the writing on the wall and doesn’t end on a cliffhanger, but the series frequently does. I wish ‘Last Man on Earth’ had seen this coming and chosen to edit the last 30 seconds or so from it’s finale, which would’ve given it somewhat more closure. It’s on a day like today when three of your favorite shows, and best comedies on TV, are all canceled simultaneously that you realize television is the most heartbreaking form of entertainment, because unlike with movies, books and music you don’t always get finality with something that’s important to you, and as dumb as it sounds to say, for a lot of us our favorite shows are kind of like family members. I understand that television is a business, but how does network TV’s system even make sense anymore? In an era when nearly everybody watches television either through DVR-viewing or streaming, networks shouldn’t rely as much on live watching, especially when Nielsen families (how ratings for shows are tabulated) make up such a small percentage of TV viewers. Have you ever known a single person who was in a Nielsen family? I know that networks rely on advertisement to thrive and advertisers need to see people watching programs to want to sell ads to a network, but wouldn’t it be great for the shows that are good (and all three of these canceled Fox shows were anywhere from critically-liked to critically-adored) could survive? Is it a taste issue, as much as an antiquated system issue? Maybe, but I think it’s only part of the problem. For “Brooklyn Nine Nine” especially fans caused an uproar on Twitter with their anger at Fox for cancelling the show, showing that there’s a large audience for the program, after all. But, these fans don’t show up in the show’s ratings – ‘B99’ was the least watched non-animated sitcom on Fox this year. They exist in the streaming world, with Hulu having exclusive rights, and through syndication with re-runs of the series being popular on TBS. This leaves many with the hope that TBS or Hulu will pick the show up, but that’s not typical for TBS and Hulu, which thankfully saved the once canceled Fox comedy “The Mindy Project,” hasn’t “saved” a show in three years. A couple of interesting things that could be harming comedies like “Brooklyn Nine Nine” and ‘Last Man on Earth’ is the nostalgia boom for TV shows, particularly comedies, and networks seeing the success of “Roseanne” among conservative viewers and wanting to go in that direction. After all, older people are the ones who tend to watch live television still and older people skew conservative. I’m a fan of “Roseanne” and have been mostly happy with its revival, but it could turn out to be bad for the future of televised comedy. For instance, Fox is in negotiations to bring “Last Man Standing,” the Tim Allen sitcom that was canceled by ABC last spring and caused an uproar among fans who erroneously thought the cancellation had to do with Allen’s pro-Donald Trump politics, instead of lacking ratings, to its network in the fall. I highly doubt the network would be doing such a thing had it not seen the booming ratings for “Roseanne.” “Last Man Standing” certainly won’t have the ratings that “Roseanne” has had because with only one year away from TV it won’t have the nostalgia factor, but it could likely outperform “Brooklyn Nine Nine” and ‘Last Man on Earth’ in ratings, though the quality is not at the same level (I do enjoy “Last Man Standing” though). The nostalgia thing might be an even bigger killer of original programming. Not only has “Roseanne” big huge for ABC, but the return of “Will & Grace” was successful for NBC and CBS is getting into the action by bringing back ‘90s hit “Murphy Brown.” Again, the networks are winning by bringing back classic comedies that now older people enjoyed watching 20-25 years ago. There are many reasons why original television series, particularly comedies, aren’t working on network TV anymore and unfortunately, I don’t really have any ways to fix the problem. Maybe these original shows will have to keep seeking out cable or premium channels to survive and let network TV become a wasteland?
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